|
|
|
|
|
|
Jan Van Eyck
Man in aRed Turban
mk247
1433,oil on wood,10x7.375 in,26x19cm,national gallery,london,uk
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Portrait of Giovanni Arnolfini and His Wife
mk247
1434,oil on wood,32x23 in,82x59.5 cm,national gallery,london,uk
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
kaniken van der paeles madonna
mk248 att kanikens glasogon aterges i malningen ar en intressant detalj. van eyck bade som valbargad man med kontakter i de bogsta kretsar nastan sakert tillgang till optiska bjalp medel speglar ocb linsr for sitt bildskapande.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
makarna arnolfinis trolovning
mk248 det beromda portrattet forestaller med storta sakerbet inte makarna arnolfini folkbokforingen ilille visar att giovanni arnolfini ingick aktenskap frst 1447. tretton ar efter malningens tillkomst. men vem ar da den gron gronkladda kvinnan en teori tar fasta pa arnolfinis allvarstyngdsel ocb foreslar att malningen ar en tribut till ett tidigare forballande.som slutat med kvinnans dod i barnsang. den beliga margareta, barnbordens skyddsbelgon. ar snidad pa sangstolpen, ocb i kandebern brinner ett ensamt votivljus for att den doda moderns sjal ska fa ro.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Roland s Madonna
mk255 for in 1435. 0.66 x 0.62 meters canvas. Paris, the Louvre
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Portrait of a Man in a Turban possibly a self-portrait
Portrait of a Man in a Turban (actually a chaperon), possibly a self-portrait, painted 1433
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
The Arnolfini Portrait
The Arnolfini Portrait (1434)
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Annunciation, National Gallery of Art.
Annunciation, National Gallery of Art.
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
The Ghent Altarpiece
The Ghent Altarpiece: The Adoration of the Mystic Lamb (interior view), painted 1432
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Closed view, back panels
Closed view, back panels
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
The Ghent Altarpiece: Knights of Christ
The Ghent Altarpiece: Knights of Christ
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
maastricht
cirka 1390
se
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Untitled, known in English as The Arnolfini Portrait, The Arnolfini Wedding, The Arnolfini Marriage, The Arnolfini Double Portrait, or Portrait of Gio
1434(1434)
Oil on panel
82 X 59.5 cm (32.3 X 23.4 in)
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Portrait of Margarete van Eyck
1439(1439)
Oil on panel
32.5 ?? 26 cm (12.8 ?? 10.2 in)
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Portrait of Margarete van Eyck
1439(1439)
Oil on wood
32.5 ?? 26 cm (12.8 ?? 10.24 in)
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Portret van Giovanni Arnolfini en zijn vrouw
1434(1434)
Medium Oil on panel
Dimensions 82 ?? 59.5 cm (32.3 ?? 23.4 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Portrait of Margarete van Eyck
1439(1439)
Medium Oil on panel
Dimensions 32.5 ?? 26 cm (12.8 ?? 10.2 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Portrait of Margarete van Eyck
Date 1439(1439)
Medium Oil on wood
Dimensions 32.5 x 26 cm (12.8 x 10.2 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Arnolfini Hochzeit
1434(1434)
Medium Oil on panel
Dimensions 82 x 59.5 cm (32.3 x 23.4 in)
cyf
|
| |
|
|
|
|
|
|
|
|
|
|
|
|
|
|
Jan Van Eyck
Self-portrait
1433(1433)
Oil on wood
26 x 19 cm (10.2 x 7.5 in)
cjr
|
| |
|
|
|
|
|
|
|
|
|
|
|
| |
|
|
|
|
| Jan Van Eyck
|
1395-1441
Flemish
Jan Van Eyck Locations
Painter and illuminator, brother of Hubert van Eyck.
According to a 16th-century Ghent tradition, represented by van Vaernewijck and Lucas d Heere, Jan trained with his brother Hubert. Pietro Summonte assertion (1524) that he began work as an illuminator is supported by the fine technique and small scale of most of Jan works, by manuscript precedents for certain of his motifs, and by his payment in 1439 for initials in a book (untraced) for Philip the Good, Duke of Burgundy. Jan is first documented in The Hague in August 1422 as an established artist with an assistant and the title of Master, working for John III, Count of Holland (John of Bavaria; reg 1419-25), who evidently discovered the artist while he was bishop (1389-1417) of the principality of Liege. Jan became the court official painter and was paid, with a second assistant when the work increased in 1423, continuously, probably until the count death in January 1425.
|
